Something different for those
who already have the basics
Ulli's daring watch designs are a powerful synergy
between high-fashion accessory and fine art. Ulli imbues
thought, feeling and dynamic into each design.
Spirited and rebellious, Ulli creates tirelessly, composing new ways to express herself. Stepping away
from convention and cliche, she derives delight imagining modern amalgamations of form, utility and beauty.
A prolific artist and designer, Ulli is consistently original in all she does. Her client list includes
United States Ambassador Max M. Kampelmann, Mr. Heinrich Haasis - president of the largest bank in
southern Germany, HRH the Duke of Württemberg and the Mr. Thomas Zell - CEO of Mercedes Benz Stuttgart.
Three of Ulli's sculptures grace the collection within the Stuttgart Museum of Modern Art.
_______________________________________________________
"Ulli is doing for
timepieces what Ettore Bugatti did for automobiles."
Jeans-Pocket watch -
Mandevilla Dance watch -
Stylish and sassy
Elegant yet carefree
(Click on watches for zoom views)
Sunset watch -
Stylish and serene
Ulli's most recent venture is her foray into timepiece design. Her customers are upscale,independent-minded
women and men looking for that something different. Ulli produces seasonal
collections, limited editions
and unique, one-of-a-kind pieces. AdditionallyUlli creates corporate-specific designs
for large companies.
_______________________________________________________
"Everywhere in Ulli's work is the determination for absolute perfection. She performs a flawless application
of the exact technique to create a distinctive harmony. I am proud to have acquired a collection of her pieces.
Ulli's works are pure beauty."
- Rudolph Greiner (author and gallery proprietor)
"I was surprised and delighted to discover the newly designed timepieces created by
Ulli Kampelmann. Ulli s designs are exceptional and elegant with an underlying
playfulness
that is truly refreshing." - Los Angeles Times
"An independent work of art.... a wonder to behold. I'm delighted to have one." - Heinrich Haasis
(bank president)
"Her designs have a perfect harmony." - Edeltraut Groz (art historian)
"Extremely well made!... Very unique!... Beautiful! Is it worth $5000?... $10,000?... Yes, probably.
Definitely something for the high-end market." - Hugh Pittock (appraiser)
HISTORY
Fine jewelry began to attract Ulli Kampelmann's attention from her earliest years. As a youngster, Ulli
grew to love the look, the feel and the overall aura of well-designed and finely-crafted jewelry. As a mere
six-year-old, she befriended Mr. Baumgart, the jeweler and master watch-maker who had his little store up at
the corner of her street.

Ulli at Mr. Baumgart's wedding
Otto Max Pilz' Coppersmith factory in Halle
Exceptional design and superb craftsmanship have been traditions in Ulli's family for many generations. The
Kampelmann family appears to have originated in the Netherlands and spread into Westfallen,
Germany at least four centuries ago. The family crafts included lerenbroekmaker (lederhosen maker) and master
metal smithing. Ulli's mother's side of the family also comprised masters of high craftsmanship. Adolf Herman
Pilz,her maternal great grandfather, a master coppersmith, founded his own factory with a handful of
skilled craftsmen in Halle, Germany, the city where Ulli was eventually born. His son Otto developed his own
skills in the field of metalworking and eventually surpassed his father in skill and design.
Otto perfected a style of elaborate workmanship in metal, which to this day baffles the mind.
(It is interesting to note that Georg Friedrich Handel, Halle's most
famous hometown boy, was also the grandson of a master coppersmith)
When Otto's daughter Elsa turned sixteen, she got her first job working in a jewelry and watch store in Halle.
Elsa, Ulli's mother, had a fascination for the jewelry and watches that she dealt with each day and eventually
passed this passion on to her daughter Ulli. Even Ulli's father, also a master smith, would fabricate intricate
jewelry for Ulli.
At five, Ulli would sit on a shelf overlooking her
father's workbench contendedly watching him work for hours at a time. One of her favorite passtimes was to hold
her father's wrist watch and see how long he would take to work a piece of metal or complete some small project.
When Ulli was eight, she received her own West German wrist watch as a communion gift. Subsequently, while
sitting in church she would test her ability to accurately observe the passage of time. She would note the time,
turn the watch away, wait a set amount of time and then check the watch to see if her estimate of time passage
was correct.

Elsa (Kampelmann) Pilz
Willi Kampelmann in his factory
at 16 years old
When Ulli was eleven, she learned jewelry-making from her mom. Since the Wall had
gone up only two years before, materials were almost impossible to come by. The socialist government had
driven most private craftsmen out of business. Therefore, Ulli resorted to bell wire as her only media with
which to craft her designs. Nevertheless, as a pre-teen she earned her first income selling her self-made
jewelry pieces to family and friends. Her sixth-grade teacher, Mrs. Krukow was one of Ulli's first customers
with her purchase of an intricate copper necklace.

Mrs. Krukow and Ulli
Two of Ulli's early jewelry
Much like her parents, Ulli was feeling the pinch against her freedom of expression imposed by the oppressive
policies of the socialists. Not only had her father actively participated in the rebellion against communism
that occurred on Ulli's first birthday, soon after her seventh birthday, her parents arranged to escape from
East Germany but the plan failed. An acquaintance who was actually an informer for the Stasi, East Germany's
secret police, guessed the Kampelmann's intentions and betrayed their plan to the authorities. Ulli and her
mother successfully escaped to West Berlin but her father was captured and imprisoned for a year and a half
for this "crime against the state". Ulli and her Mom dejectedly had to return home to Halle.
As Ulli matured, so did her rebellious nature. She never shook the profound effect her father's imprisonment
had on her. Although Ulli was fortunate to attend university and gain her master's degree in art
and education, she bristled at the intellectual barriers the socialists cast in her way. Books abounded with
examples of art from "artists" such as Willi Sitte and Diego Rivera, but any works by Salvadore Dali, Andy
Warhol or any other "Western" artist was expressly forbidden.
One Monday morning in August 1975, the director of the school where Ulli taught art received a telegram that
simply stated, "Greetings from West Berlin! - Ulli Kampelmann". Ulli had beaten all odds and become one of the
rare successful escapees from East Germany. Unfazed by the dramatic experience in the trunk of a friend's car,
Ulli went on to continue her education in design and the visual arts in West Germany.
Soon after her arrival in Stuttgart, she began designing and creating costumes, crowns and other jewelry for
the "royalty" on stage. However, she presently began to focus her artistic talents on modern art rather than
design and she developed a career as a sculptor and painter. Ultimately, Ulli specialized in modern architectural flat glass art and achieved her success and fame. The German government recognized Ms. Kampelmann as the most successful female artist in the country.
Now that Ulli has immigrated to the USA, she has returned her attention to her early passion for jewelry,
specifically high-design luxury timepieces.
_______________________________________________________
CONTACT US:
727-504-9641
Ulli Kampelmann Timepieces
PO Box 2283
Clearwater, FL 33757
ulli.kampelmann@yahoo.com
"Ulli is doing for
timepieces what Ettore Bugatti did for automobiles."
Jeans-Pocket watch -
Mandevilla Dance watch -
Stylish and sassy
Elegant yet carefree
(Click on watches for zoom views)
Sunset watch -
Stylish and serene
Ulli's most recent venture is her foray into timepiece design. Her customers are upscale,independent-minded
women and men looking for that something different. Ulli produces seasonal
collections, limited editions
and unique, one-of-a-kind pieces. AdditionallyUlli creates corporate-specific designs
for large companies.
_______________________________________________________
"Everywhere in Ulli's work is the determination for absolute perfection. She performs a flawless application
of the exact technique to create a distinctive harmony. I am proud to have acquired a collection of her pieces.
Ulli's works are pure beauty."
- Rudolph Greiner (author and gallery proprietor)
"I was surprised and delighted to discover the newly designed timepieces created by
Ulli Kampelmann. Ulli s designs are exceptional and elegant with an underlying
playfulness
that is truly refreshing." - Los Angeles Times
"An independent work of art.... a wonder to behold. I'm delighted to have one." - Heinrich Haasis
(bank president)
"Her designs have a perfect harmony." - Edeltraut Groz (art historian)
"Extremely well made!... Very unique!... Beautiful! Is it worth $5000?... $10,000?... Yes, probably.
Definitely something for the high-end market." - Hugh Pittock (appraiser)
HISTORY
Fine jewelry began to attract Ulli Kampelmann's attention from her earliest years. As a youngster, Ulli
grew to love the look, the feel and the overall aura of well-designed and finely-crafted jewelry. As a mere
six-year-old, she befriended Mr. Baumgart, the jeweler and master watch-maker who had his little store up at
the corner of her street.

Ulli at Mr. Baumgart's wedding
Otto Max Pilz' Coppersmith factory in Halle
Exceptional design and superb craftsmanship have been traditions in Ulli's family for many generations. The
Kampelmann family appears to have originated in the Netherlands and spread into Westfallen,
Germany at least four centuries ago. The family crafts included lerenbroekmaker (lederhosen maker) and master
metal smithing. Ulli's mother's side of the family also comprised masters of high craftsmanship. Adolf Herman
Pilz,her maternal great grandfather, a master coppersmith, founded his own factory with a handful of
skilled craftsmen in Halle, Germany, the city where Ulli was eventually born. His son Otto developed his own
skills in the field of metalworking and eventually surpassed his father in skill and design.
Otto perfected a style of elaborate workmanship in metal, which to this day baffles the mind.
(It is interesting to note that Georg Friedrich Handel, Halle's most
famous hometown boy, was also the grandson of a master coppersmith)
When Otto's daughter Elsa turned sixteen, she got her first job working in a jewelry and watch store in Halle.
Elsa, Ulli's mother, had a fascination for the jewelry and watches that she dealt with each day and eventually
passed this passion on to her daughter Ulli. Even Ulli's father, also a master smith, would fabricate intricate
jewelry for Ulli.
At five, Ulli would sit on a shelf overlooking her
father's workbench contendedly watching him work for hours at a time. One of her favorite passtimes was to hold
her father's wrist watch and see how long he would take to work a piece of metal or complete some small project.
When Ulli was eight, she received her own West German wrist watch as a communion gift. Subsequently, while
sitting in church she would test her ability to accurately observe the passage of time. She would note the time,
turn the watch away, wait a set amount of time and then check the watch to see if her estimate of time passage
was correct.

Elsa (Kampelmann) Pilz
Willi Kampelmann in his factory
at 16 years old
When Ulli was eleven, she learned jewelry-making from her mom. Since the Wall had
gone up only two years before, materials were almost impossible to come by. The socialist government had
driven most private craftsmen out of business. Therefore, Ulli resorted to bell wire as her only media with
which to craft her designs. Nevertheless, as a pre-teen she earned her first income selling her self-made
jewelry pieces to family and friends. Her sixth-grade teacher, Mrs. Krukow was one of Ulli's first customers
with her purchase of an intricate copper necklace.

Mrs. Krukow and Ulli
Two of Ulli's early jewelry
Much like her parents, Ulli was feeling the pinch against her freedom of expression imposed by the oppressive
policies of the socialists. Not only had her father actively participated in the rebellion against communism
that occurred on Ulli's first birthday, soon after her seventh birthday, her parents arranged to escape from
East Germany but the plan failed. An acquaintance who was actually an informer for the Stasi, East Germany's
secret police, guessed the Kampelmann's intentions and betrayed their plan to the authorities. Ulli and her
mother successfully escaped to West Berlin but her father was captured and imprisoned for a year and a half
for this "crime against the state". Ulli and her Mom dejectedly had to return home to Halle.
As Ulli matured, so did her rebellious nature. She never shook the profound effect her father's imprisonment
had on her. Although Ulli was fortunate to attend university and gain her master's degree in art
and education, she bristled at the intellectual barriers the socialists cast in her way. Books abounded with
examples of art from "artists" such as Willi Sitte and Diego Rivera, but any works by Salvadore Dali, Andy
Warhol or any other "Western" artist was expressly forbidden.
One Monday morning in August 1975, the director of the school where Ulli taught art received a telegram that
simply stated, "Greetings from West Berlin! - Ulli Kampelmann". Ulli had beaten all odds and become one of the
rare successful escapees from East Germany. Unfazed by the dramatic experience in the trunk of a friend's car,
Ulli went on to continue her education in design and the visual arts in West Germany.
Soon after her arrival in Stuttgart, she began designing and creating costumes, crowns and other jewelry for
the "royalty" on stage. However, she presently began to focus her artistic talents on modern art rather than
design and she developed a career as a sculptor and painter. Ultimately, Ulli specialized in modern architectural flat glass art and achieved her success and fame. The German government recognized Ms. Kampelmann as the most successful female artist in the country.
Now that Ulli has immigrated to the USA, she has returned her attention to her early passion for jewelry,
specifically high-design luxury timepieces.
_______________________________________________________
CONTACT US:
727-504-9641
Ulli Kampelmann Timepieces
PO Box 2283
Clearwater, FL 33757
ulli.kampelmann@yahoo.com
Ulli at Mr. Baumgart's wedding Otto Max Pilz' Coppersmith factory in Halle
Exceptional design and superb craftsmanship have been traditions in Ulli's family for many generations. The Kampelmann family appears to have originated in the Netherlands and spread into Westfallen, Germany at least four centuries ago. The family crafts included lerenbroekmaker (lederhosen maker) and master metal smithing. Ulli's mother's side of the family also comprised masters of high craftsmanship. Adolf Herman Pilz,her maternal great grandfather, a master coppersmith, founded his own factory with a handful of skilled craftsmen in Halle, Germany, the city where Ulli was eventually born. His son Otto developed his own skills in the field of metalworking and eventually surpassed his father in skill and design.
Otto perfected a style of elaborate workmanship in metal, which to this day baffles the mind. (It is interesting to note that Georg Friedrich Handel, Halle's most famous hometown boy, was also the grandson of a master coppersmith) When Otto's daughter Elsa turned sixteen, she got her first job working in a jewelry and watch store in Halle.
Elsa, Ulli's mother, had a fascination for the jewelry and watches that she dealt with each day and eventually passed this passion on to her daughter Ulli. Even Ulli's father, also a master smith, would fabricate intricate jewelry for Ulli.
At five, Ulli would sit on a shelf overlooking her father's workbench contendedly watching him work for hours at a time. One of her favorite passtimes was to hold her father's wrist watch and see how long he would take to work a piece of metal or complete some small project. When Ulli was eight, she received her own West German wrist watch as a communion gift. Subsequently, while sitting in church she would test her ability to accurately observe the passage of time. She would note the time, turn the watch away, wait a set amount of time and then check the watch to see if her estimate of time passage was correct.
Elsa (Kampelmann) Pilz Willi Kampelmann in his factory
at 16 years old
When Ulli was eleven, she learned jewelry-making from her mom. Since the Wall had gone up only two years before, materials were almost impossible to come by. The socialist government had driven most private craftsmen out of business. Therefore, Ulli resorted to bell wire as her only media with which to craft her designs. Nevertheless, as a pre-teen she earned her first income selling her self-made jewelry pieces to family and friends. Her sixth-grade teacher, Mrs. Krukow was one of Ulli's first customers with her purchase of an intricate copper necklace.
Mrs. Krukow and Ulli Two of Ulli's early jewelry
Much like her parents, Ulli was feeling the pinch against her freedom of expression imposed by the oppressive policies of the socialists. Not only had her father actively participated in the rebellion against communism that occurred on Ulli's first birthday, soon after her seventh birthday, her parents arranged to escape from East Germany but the plan failed. An acquaintance who was actually an informer for the Stasi, East Germany's secret police, guessed the Kampelmann's intentions and betrayed their plan to the authorities. Ulli and her mother successfully escaped to West Berlin but her father was captured and imprisoned for a year and a half for this "crime against the state". Ulli and her Mom dejectedly had to return home to Halle.
As Ulli matured, so did her rebellious nature. She never shook the profound effect her father's imprisonment had on her. Although Ulli was fortunate to attend university and gain her master's degree in art and education, she bristled at the intellectual barriers the socialists cast in her way. Books abounded with examples of art from "artists" such as Willi Sitte and Diego Rivera, but any works by Salvadore Dali, Andy Warhol or any other "Western" artist was expressly forbidden.
One Monday morning in August 1975, the director of the school where Ulli taught art received a telegram that simply stated, "Greetings from West Berlin! - Ulli Kampelmann". Ulli had beaten all odds and become one of the rare successful escapees from East Germany. Unfazed by the dramatic experience in the trunk of a friend's car, Ulli went on to continue her education in design and the visual arts in West Germany.
Soon after her arrival in Stuttgart, she began designing and creating costumes, crowns and other jewelry for the "royalty" on stage. However, she presently began to focus her artistic talents on modern art rather than design and she developed a career as a sculptor and painter. Ultimately, Ulli specialized in modern architectural flat glass art and achieved her success and fame. The German government recognized Ms. Kampelmann as the most successful female artist in the country.
Now that Ulli has immigrated to the USA, she has returned her attention to her early passion for jewelry, specifically high-design luxury timepieces.